Category: musical baby names
The character names to be found in the comical, light operas of Gilbert & Sullivan, for the most part, represent names that Victorian society either found to be fancifully appealing (as in the fairy names from Iolanthe) or absurdly amusing (as in the faux Japanese names from The Mikado). By comparison, some G&S character names may seem a bit mundane to us.
But viewing a rousing performance of The Pirates of Penzance could do much to redeem such names, as one finds oneself charmed by the dutiful and beautiful Mabel, or one cheers the “piratical maid of all work,” Ruth, who is later transformed into a feminist swashbuckler in her own right.
There’s no sweeter pleasure than serenading your baby with a lullaby, which can even be nicer if the song’s title references the sweetness of your daughter’s (or son’s) name. An amazing number of songs fit this bill, dating from the early days of the republic to the Golden Age of jazz and swing, right through to contemporary rock— from the barbershop quartet harmonies of Sweet Adeline to the Rolling Stones’ rendition of Sweet Virginia. Most of these songs have lyrics you can actually croon, while just a few are instrumentals you can set your own words to.
Here they are:
ADELINE—Sweet Adeline is an old standard that was a favorite of barbershop quartets. JFK’s grandfather John F. Fitzgerald, mayor of Boston, made it his theme song, and Mickey Mouse serenaded Minnie with it in a 1929 cartoon. Sweet name Adeline reappeared on the pop list in 1999, and is now Number 288.
We were admiring the name Calliope the other day (yes, after all these years, we still love names enough to sit around and think about how much we like them) and we started thinking: What a good name for a musician to choose for her child.
Whether or not you’d name a baby after your profession in real life, it’s a fun thing to consider.